Phil Collin`S In The Air Tonight Essays - Music, In The Air Tonight

Phil Collin`S ?In The Air Tonight? Dec 2000 In The Air Tonight Phil Collins In The Air Tonight is a strophic composition produced by Phil Collins. The aria consists of an electronic drum set an electric guitar and a prophet to add an additional fullness to the song. The exposition of the monody is at an adagio tempo. The electronic drum kit repeats a drum pattern with 12 drum hits in each loop, while accenting on every third beat {eg.1-2-1-2-1-2-1-22-1-2 | 11-2-1-2-1-2-1-22-1-2}. In the middle of the first loop the electric guitar roars a triple stopping that drags on for fifteen seconds, and is quickly followed by the sound of a nymph sounding guitar riff in the background accompanied by the prophet. The prophet presents the main melody of the song. A series of warm instruments accompany the drum pattern followed by the sound of Phil Collinss tenor voice reverbed a tad to add an eerieness to the song. He first announces in a slightly whispered, muffled voice: I can feel it in the air tonight, Oh Lord Ive been waiting for this moment, for all my life, Oh, Lord Can you feel it coming in the air tonight, Oh Lord Oh Lord Afterwards the same guitar roars in for half the time it did before as Mr. Collins proceeds to go into the first verse of the song. After the first verse he returns back to the chorus this time with additional vocals that lags behind his every word and ends with the guitar roar once again that comes predictably at the same time. The first words to his second verse starts with the singers voice tweaked up a bit with the reverb machine. The prophet and a host of warm instruments continuously ascends with every whole note for a total of four measures in a harmonious fashion, but returns back to the tonic key after the fourth keystroke. In closure of the last verse the song increases from a (p) piano to an (mp) mezzo forte. An intense eleven strikes on a live drum set introduces the climax of the song, which then cancels out the sound of the electronic drum set, yet introduces the sound of a brass instrument that appears every two or three measures. With the sound of the vocalist repeati ng the chorus numerous times in an upbeat presentation, the rhythm of the song seems to drift to a strong andante tempo. The volume of this secular song descends as with Phil Collins exclaiming, Ive been waiting for this moment for all my life. In conclusion the song retreats to a complete silence. Music

How to Purify Sodium Chloride From Rock Salt

How to Purify Sodium Chloride From Rock Salt Rock salt or halite is a mineral the contains sodium chloride (table salt) as well as other minerals and impurities. You can remove most of these contaminants using two simple purification techniques: filtration and evaporation. Materials Rock saltWaterSpatulaFilter paperFunnelEvaporating dishBeaker  or graduated cylinderTripodBunsen burner Filtration If the rock salt is one large chunk, grind it into a powder using a mortar and pestle or a coffee grinder.Add 30-50 milliliters of water to 6 heaping spatula scoops of rock salt.Stir to dissolve the salt.Place the filter paper in the mouth of the funnel.Place the evaporating dish under the funnel to collect the liquid.Slowly pour the rock salt solution into the funnel. Make sure you dont over-fill the funnel. You dont want the liquid to flow around the top of the filter paper because then it isnt getting filtered.Save the liquid (filtrate) that comes through the filter. Many of the mineral contaminants did not dissolve in the water and were left behind on the filter paper. Evaporation Place the evaporating dish containing the filtrate on the tripod.Position the Bunsen burner under the tripod.Slowly and carefully heat the evaporating dish. If you apply too much heat, you could break the dish.Gently heat the filtrate until all the water is gone. Its okay if the salt crystals hiss and move a little.Turn off the burner and collect your salt. Although some impurities remain in the materials, many of them were removed simply by using the difference in solubility in water, mechanical filtration, and by applying heat to drive off volatile compounds. Crystallization If you want to further purify the salt, you can dissolve your product in hot water and crystallize the sodium chloride from it.

The Youth Justice and Criminal Evidence Act 1999 Essay

The Youth Justice and Criminal Evidence Act 1999 - Essay Example The result was a collection of ideas based on the Scottish Youth Justice system, particularly the Scottish Reporter System. The Scottish Reporter System, introduced in the 1960s as part of the Children's Hearing System, is a system where those involved with youth who have offended or are at risk of offending make a referral requiring any services deemed necessary to put the child on the right track be provided. Those making referrals include police, schools, parents and social workers. Referrals are made to the Reporter, who then investigates the case and decides where it should go. "The Reporter must decide whether referrals should be discharged with no further action, whether they should be referred to a local authority social work department or whether the case should be referred to a children's hearing (Arthur 2004)." This is essentially what the U.K.'s referral order is, with just a few minor differences. The referral order was introduced in October 1999 as part of the Youth Justice and Criminal Evidence Act 1999. The order's primary aim is to keep first-time young offenders out of the court system and prevent them from re-offending. The Youth Justice and Criminal Evidence Act 1999 was a response to the White Paper, No More Excuses address that the Secretary of State presented to Parliament in 1997. The White Paper addressed specifically the issue of youth crime. "Today's young offenders can too easily become tomorrow's hardened criminals," Home Secretary Jack Straw said in a preface to the White Paper. "As a society we do ourselves no favours by failing to break the link between juvenile crime and disorder and the serial burglar of the future (Home Office 1997)." According to Straw, the general belief was that young offenders would "grow out of" their offending ways on their own. He said research showed otherwise and insisted something be done that could give young offenders that nudge in the right direction. Thus, the Youth Justice and Criminal Evidence Act 1999 introduced the referral order, a proactive approach to addressing juvenile crime. The office of the Reporter in Scotland would be akin to the Court of the Magistrate in England, in that they are the ones who refer a child to the family-conference style meetings - Scotland's Children's Hearing and England's Youth Offender Panel (YOP). However, while the Reporter has other options, "Part III of the Powers of Criminal Courts (sentencing) Act 2000 provides that the referral order is to become the standards sentence imposed by the youth courts, or other magistrates court (Arthur 2004)." The referral order is a sentence given by the court referring 10- to 17-year-olds, who have pleaded guilty to a first offence, to a youth offending panel. In Scotland, the age of an offender referred to a Children's Hearing is eight to 16. The order requires the offender and his parents or carer to meet with the youth offender panel and map out a course of action for the youth to help him get on the right track. The court sets the length of time a referral should last, or the compliance period. The compliance period begins once the offender and chair of the panel have signed the contract. By law, the compliance period can be no shorter than three months and no longer than a year. In cases where the offender was previously convicted of a crime, the